Designer Clothing

How ‘Don’t Fear Darling’ Reimagines the Retro-Cool Fantastic thing about the ’50s

A lot has been stated about Don’t Fear Darling, from the movie’s off-screen drama to the mixed-bag evaluations—however the one factor no one can take away from the movie is that it’s visually beautiful. The psychological thriller greater than makes good on its intentions to look as if it had been plucked straight out of an old style Slim Aarons {photograph}. 

Set within the Nineteen Fifties—seemingly in Palm Springs or one other related idyllic California locale—Don’t Fear Darling follows a housewife, Alice (Florence Pugh), who lives together with her husband, Jack (Harry Kinds), in a utopian group often called the Victory Challenge. The midcentury-modern set design and the fashionable interval costumes created by Arianne Phillips (who labored on As soon as Upon a Time in Hollywood) vividly carry this world to life. However what actually punctuates the classic aesthetic is the sweetness, which was crafted by make-up artist Heba Thorisdottir and hairstylist Jaime Leigh. The pair credit director Olivia Wilde for giving them the liberty to see their visions via wholly and utterly.

Photograph: Courtesy of Warner Bros. Footage

“What I spotted with this film is that there’s a distinction between working with a feminine versus male director,” says Thorisdottir. “[Olivia] understood our language and what we are able to and may’t do to realize sure issues. She was simply so open to each concept and let not simply me however all people shine in what they do. She at all times knew when to step in and when to step again.” For Leigh, this was essential in creating midcentury-inspired magnificence seems to be, which at all times require a fragile stability—however particularly with what Wilde was attempting to realize. “When designing a ’50s- and ’60s-inspired look, it may be very simple for kinds to begin wanting mumsy, overly conservative, and a bit of drab,” says Leigh. “After studying the script and first talking to Olivia, it was clear she needed to make Victory a feast for the eyes—all of the glamorous and horny elements of the ’50s and ’60s with out all of the inflexible, overly structured unflattering sides. She needed the ladies to have a enjoyable and a freedom to them and at all times look fabulous.”  

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