Fashion Design

Fashion Designer Todd Snyder Is Behind These Perfectly Rustic Maine Bungalows

Todd Snyder just simply cannot quit Maine. The Iowa-born designer behind the eponymous New York City–based menswear label began going to the Pine State back in the summer months of 2019, although carrying out investigation for his debut collaboration with L.L. Bean. These to start with journeys resulted in a substantially-celebrated Slide 2020 runway fantasia of orange-sole duck boots, emerald-hued corduroy suiting, camo-lined puffer vests, and other iterations of New England outdoor gear long gone particularly higher style.

That selection, in change, led to his immersive style and design for a Todd Snyder x L.L. Bean two-bed room treetop lodge at Concealed Pond, a luxe Kennebunkport, Maine, vacation resort established amid 60 acres of birch-dotted forest. Due to the fact then, Snyder has stored coming back again to Maine for more, creating quite a few added collections with L.L. Bean and, most a short while ago, debuting new interiors for 20 just one-bed room bungalows at Concealed Pond.

“I fell in appreciate with Maine when I started out coming up listed here,” Snyder suggests, “and I’ve figured out so a great deal a lot more about it due to the fact then.”

The country suites make use of earth tones and styles frequently related with outside sports, like plaid and camouflage.

This time about, tasked with planning the 650-square-foot bungalows at Concealed Pond, Snyder saw it as an “opportunity to genuinely just take a deep dive into Maine aesthetics,” he claims. “What’s so attention-grabbing and outstanding to me about this area is that it’s so various, area by region. You generate half an hour, and it is completely diverse.”

To celebrate this variety, Snyder—who worked with Concealed Pond’s in-residence style crew, Krista Stokes and Mark Cotto—created a trio of appears to be, every single just one tied to a unique aspect of the landscape that has so thoroughly captivated him: the rocky shoreline, the soaring mountains, and the forested countryside.

For the coastal bungalows, he spun a mild and vibrant, neat and breezy tale, with neutral sand and low-contrast blue hues, whitewashed woods, pale sisal rugs, and an oyster shell-pattern wallpaper based mostly on a decoupage style and design by his pal John Derian. He took specific inspiration from central Maine’s Mt. Katahdin when devising the mountain bungalows, taking part in with cognac-hued leathers, dark blue velvet, and a William Morris acanthus leaf print on the walls to channel a luxed-up log cabin search.

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